![]() Use the Object>Arrange>Send to Back menu command to place the larger circle behind the smaller one. Get your Ellipse Tool, hold down the Shift key, and draw a circle within the ruler guides you just laid down. Then drop horizontal and vertical ruler guides on the standoff anchor points as shown below:Ģ. Click on your circle with the Direct Selection Tool, which highlights both the circle and the text wrap standoff. Now, on to messing things up until they work:ġ. If you're not, just click on the link below to learn how to manipulate paths within InDesign, and learn about powerful skills which will make things much easier for you in all three programs: ![]() If you're experienced with editing paths in Adobe Illustrator, or adjusting clipping paths in Adobe Photoshop, this job will be much easier. In short, we need to screw things up until they work. That's where operator skill comes in to make imperfect fixes where perfect things don't work. So your "perfect" mathematical alignment appears to be a bit off optically. And as Scott outlines above, the "text wrap" takes the entire character height to Top of Caps into account as it decides where alignment is made to the border standoff of the text wrap. ![]() You've just run across the difference between mathematical alignment and optical alignment.
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